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What was sex like in China, from imperial times through the post-Mao era? The answer depends, of course, on who was having sex, where they were located in time and place, and what kind of familial, social, and political structures they participated in. This collection offers a variety of perspectives by addressing diverse topics such as polygamy, pornography, free love, eugenics, sexology, crimes of passion, homosexuality, intersexuality, transsexuality, masculine anxiety, sex work, and HIV/AIDS. Following a loose chronological sequence, the chapters examine revealing historical moments in which human desire and power dynamics came into play. Collectively, the contributors undertake a necessary historiographic intervention by reconsidering Western categorizations and exploring Chinese understandings of sexuality and erotic orientation.

For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling.Pointing to melodrama’s roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.

This is a book that for over forty years was carefully researched and footnoted by the principal author Ernest S. Sanchez. It is a story that is weaved together by multiple interviews with families and their familial history that makes this account and supported by documentation. This book brings into focus the following points: 1. History of the settlement of New Mexico from Onate to the present. . . 2. The principal families that were involved in the settlement and their experiences. . . 3. The New Mexican experience from the Hispanic view in the history of the settlement of Lincoln County and the Lincoln County War. . . 4. An insight on the personal relationship of the Hispanics with William H. Bonney (Billy the Kid). . .. 5. A very accurate reference in the genealogy of the families that settled in Lincoln County New Mexico. This story illuminates the rich customs and traditions of the people that make up New Mexico history. We get a view of the every day life experiences of the Nuevo Mexicanos, that were passed forward from generation to generation. This account also exposes the violence, greed and racism that not only permeated the Spanish settlement of New Mexico but also fueled the Lincoln County War. It is an American story, a story of the painful birth of a nation.

For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling.Pointing to melodrama’s roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.

Probes changing attitudes toward and the activities, raising, and familial role of children throughout history as reflected in works of art

A social history of Jewish women in Imperial Germany, this study synthesizes German, women's, and Jewish history. The book explores the private--familial and religious--lives of the German-Jewish bourgeoisie and the public roles of Jewish women in the university, paid employment and social service. It analyzes the changing roles of Jewish women as members of an economically mobile, but socially spurned minority. The author emphasizes the crucial role women played in creating the Jewish middle class, as well as their dual role within the Jewish family and community as powerful agents of class formation and acculturation and determined upholders of tradition.

Family Connections examines the dimensions of daily survival strategies for newcomers in an uncertain urban environment. Focusing on the history of Italian and Jewish immigrant families in Providence, Rhode Island, the book assesses the links between familial and ethnic culture and broader allegiances of solidarity, and suggests some of the differences between male and female experience within a shared identity as a family. Contains four maps, 25 photos.

This is a book that for over forty years was carefully researched and footnoted by the principal author Ernest S. Sanchez. It is a story that is weaved together by multiple interviews with families and their familial history that makes this account and supported by documentation. This book brings into focus the following points: 1. History of the settlement of New Mexico from Onate to the present. . . 2. The principal families that were involved in the settlement and their experiences. . . 3. The New Mexican experience from the Hispanic view in the history of the settlement of Lincoln County and the Lincoln County War. . . 4. An insight on the personal relationship of the Hispanics with William H. Bonney (Billy the Kid). . .. 5. A very accurate reference in the genealogy of the families that settled in Lincoln County New Mexico. This story illuminates the rich customs and traditions of the people that make up New Mexico history. We get a view of the every day life experiences of the Nuevo Mexicanos, that were passed forward from generation to generation. This account also exposes the violence, greed and racism that not only permeated the Spanish settlement of New Mexico but also fueled the Lincoln County War. It is an American story, a story of the painful birth of a nation.

What was sex like in China, from imperial times through the post-Mao era? The answer depends, of course, on who was having sex, where they were located in time and place, and what kind of familial, social, and political structures they participated in. This collection offers a variety of perspectives by addressing diverse topics such as polygamy, pornography, free love, eugenics, sexology, crimes of passion, homosexuality, intersexuality, transsexuality, masculine anxiety, sex work, and HIV/AIDS. Following a loose chronological sequence, the chapters examine revealing historical moments in which human desire and power dynamics came into play. Collectively, the contributors undertake a necessary historiographic intervention by reconsidering Western categorizations and exploring Chinese understandings of sexuality and erotic orientation.

When John McPhee returned to the island of his ancestors—Colonsay, twenty-five miles west of the Scottish mainland—a hundred and thirty-eight people were living there. About eighty of these, crofters and farmers, had familial histories of unbroken residence on the island for two or three hundred years; the rest, including the English laird who owned Colonsay, were “incomers.” Donald McNeill, the crofter of the title, was working out his existence in this last domain of the feudal system; the laird, the fourth Baron Strathcona, lived in Bath, appeared on Colonsay mainly in the summer, and accepted with nonchalance the fact that he was the least popular man on the island he owned. While comparing crofter and laird, McPhee gives readers a deep and rich portrait of the terrain, the history, the legends, and the people of this fragment of the Hebrides.

The history of one of the most admired (Bobby Kennedy) and one of the most reviled (J. Edgar Hoover) are entwined with that of Joseph Kennedy. This triumvirate was marked by conflict, betrayal and a strange Shakespearean familial bond. Set against the ongoing context of Joe Kennedy's behind-the-scenes manipulation of key players in Congress, organized crime, and his own family, major players are revealed such as Roy Cohn, Martin Luther King, Marilyn Monroe, Lyndon Johnson, and Richard Nixon.

The histories of the British and Russian royal families have been entwined for centuries. In the first publication to examine the relationship between Britain and Russia using artworks drawn exclusively from the Royal Collection, Russia: Art, Royalty and the Romanovs interweaves the familial, political, diplomatic, and artistic stories of these two nations   over more than four hundred years. From initial contacts in the mid-sixteenth century, through alliances, marriages, and two World Wars, up to the current reign, this richly illustrated book gives readers a glimpse into the public and personal dealings of these two fascinating dynasties. With new research on previously unpublished works, including Imperial porcelain, arms, costume, insignia, and photographs, together with paintings by both Russian artists and British artists working in Russia, this will be the first time that the uniquely interlinked narrative of the art connecting the two royal families has been presented in such stunning, lavishly illustrated detail.

This is the first publication of the long version of Thomas Wolfe's story of familial and national reflection set during the First World War. It offers a portrait of the author's dying father, as well as a meditation on American history and ambitions on the verge of US entry into a broadening global conflict.

Paperback. Her decision changed history.Now her family must survive it.Destined to become a modern-day classic, The Storm We Made is a dazzling saga about the power of familial love in the face of the horrors of war, for fans of Pachinko and All the Light We Cannot See.'I'll never forget this book' JESSAMINE CHAN'One of the most powerful debuts I've ever read. A storytelling star is born' TRACY CHEVALIER'A striking, moving exploration of good and evil, it is a novel that will stay with you' CECILE PIN'Exceptionally brave, heart-breaking, beautiful, and moving. A significant contribution to world's literature' NGUYEN PHAN QUE MAI____________________ Japanese-occupied Malaya, 1945. Cecily Alcantara's children are in terrible danger. Her eldest child Jujube, who works at a tea house frequented by drunk Japanese soldiers, becomes angrier by the day. Jasmin, the youngest, lives confined in a basement for her own safety. And her son, Abel, has disappeared without a trace. Cecily knows two things: that this is all her fault; and that her family must never learn the truth. Destined to become a modern-day classic, The Storm We Made is a dazzling saga about the horrors of war and the power of familial love, for fans of Pachinko, All the Light We Cannot See and Wandering Souls. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

The history of the British Isles is the story of four peoples linked together by a process of state building that was as much about far-sighted planning and vision as coincidence, accident and failure. It is a history of revolts and reversal, familial bonds and enmity, the study of which does much to explain the underlying tension between the nations of modern day Britain.  The Making of the British Islesrecounts the development of the nations of England, Scotland, Wales and Ireland from the time of the Anglo-French dual monarchy under Henry VI through the Wars of the Roses, the Reformation crisis, the reigns of Henry VIII and Elizabeth I, the Anglo-Scottish dynastic union, the British multiple monarchy and the Cromwellian Republic, ending with the acts of British Union and the Restoration of the Monarchy. 

Jeffrey S. Gurock recounts the history of Orthodox Jews in America, from the time of the early arrivals in the 17th century to the present, and examines how Orthodox Jewish men and women coped with the personal, familial, and communal challenges of religious freedom, economic opportunity, and social integration. His absorbing narrative portrays the varied lifestyles of Orthodox Jews and exposes the historical tensions that have pitted the pious against the majority of their co-religionists who have disregarded Orthodox teachings and practice. Exploring Orthodox reactions to alternative Jewish religious movements that have flourished in a pluralistic America, Gurock illuminates contemporary controversies about the compatibility of modern culture with a truly pious life, providing a nuanced view of the most intriguing present-day intra-Orthodox struggle―the relationship of feminism to traditional faith. The book exposes the hypocrisy of Jews who, while outwardly devout in their careful observance of religious ritual, have behaved as moral miscreants. Anyone seeking to understand the American Jewish experience will find Orthodox Jews in America to be essential reading.

When John McPhee returned to the island of his ancestors―Colonsay, twenty-five miles west of the Scottish mainland―a hundred and thirty-eight people were living there. About eighty of these, crofters and farmers, had familial histories of unbroken residence on the island for two or three hundred years; the rest, including the English laird who owned Colonsay, were "incomers." Donald McNeill, the crofter of the title, was working out his existence in this last domain of the feudal system; the laird, the fourth Baron Strathcona, lived in Bath, appeared on Colonsay mainly in the summer, and accepted with nonchalance the fact that he was the least popular man on the island he owned. While comparing crofter and laird, McPhee gives readers a deep and rich portrait of the terrain, the history, the legends, and the people of this fragment of the Hebrides.

In this book, Terry Kurgan begins with a family snapshot made by her Polish grandfather in 1939 on the eve of the war. Presenting this evocative image as a repository of multiple histories public, private, domestic, familial, and generational she sets off on a series of meditations on photography that give us startling insights into how photographs work: what they conceal, how they mislead, what provocations they contain. Each essay takes up the thread of the story of her familys epic journey across Europe as they flee Nazi occupation, until they reach Cape Town. Kurgans essays are part memoir, part travelogue, part analysis, and they demonstrate her sophisticated understanding of a medium that has long engaged her as an artist.

In this book, Terry Kurgan begins with a family snapshot made by her Polish grandfather in 1939 on the eve of the war. Presenting this evocative image as a repository of multiple histories public, private, domestic, familial, and generational she sets off on a series of meditations on photography that give us startling insights into how photographs work: what they conceal, how they mislead, what provocations they contain. Each essay takes up the thread of the story of her familys epic journey across Europe as they flee Nazi occupation, until they reach Cape Town. Kurgans essays are part memoir, part travelogue, part analysis, and they demonstrate her sophisticated understanding of a medium that has long engaged her as an artist.

An anthology designed to address what is perceived as a gap between existing US legislation on familial issues and family lives as they are really lived. The selection deals with a wide range of American families, and incorporates law, sociology, history, psychology, economics and fiction.