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Probes changing attitudes toward and the activities, raising, and familial role of children throughout history as reflected in works of art

What was sex like in China, from imperial times through the post-Mao era? The answer depends, of course, on who was having sex, where they were located in time and place, and what kind of familial, social, and political structures they participated in. This collection offers a variety of perspectives by addressing diverse topics such as polygamy, pornography, free love, eugenics, sexology, crimes of passion, homosexuality, intersexuality, transsexuality, masculine anxiety, sex work, and HIV/AIDS. Following a loose chronological sequence, the chapters examine revealing historical moments in which human desire and power dynamics came into play. Collectively, the contributors undertake a necessary historiographic intervention by reconsidering Western categorizations and exploring Chinese understandings of sexuality and erotic orientation.

For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling.Pointing to melodrama’s roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.

The history of the family has become an area of great interest, yet the property arrangements entered into upon marriage, a crucial aspect of the process of familial wealth transmission and distribution in the landed classes in early modern England, have never been systematically studied. In the light of evidence provided by hitherto unused family muniments, Dr Bonfield analyses the legal, social and economic aspects of these settlements, and discusses the development and impact of the strict settlement.

This is a book that for over forty years was carefully researched and footnoted by the principal author Ernest S. Sanchez. It is a story that is weaved together by multiple interviews with families and their familial history that makes this account and supported by documentation. This book brings into focus the following points: 1. History of the settlement of New Mexico from Onate to the present. . . 2. The principal families that were involved in the settlement and their experiences. . . 3. The New Mexican experience from the Hispanic view in the history of the settlement of Lincoln County and the Lincoln County War. . . 4. An insight on the personal relationship of the Hispanics with William H. Bonney (Billy the Kid). . .. 5. A very accurate reference in the genealogy of the families that settled in Lincoln County New Mexico. This story illuminates the rich customs and traditions of the people that make up New Mexico history. We get a view of the every day life experiences of the Nuevo Mexicanos, that were passed forward from generation to generation. This account also exposes the violence, greed and racism that not only permeated the Spanish settlement of New Mexico but also fueled the Lincoln County War. It is an American story, a story of the painful birth of a nation.

What was sex like in China, from imperial times through the post-Mao era? The answer depends, of course, on who was having sex, where they were located in time and place, and what kind of familial, social, and political structures they participated in. This collection offers a variety of perspectives by addressing diverse topics such as polygamy, pornography, free love, eugenics, sexology, crimes of passion, homosexuality, intersexuality, transsexuality, masculine anxiety, sex work, and HIV/AIDS. Following a loose chronological sequence, the chapters examine revealing historical moments in which human desire and power dynamics came into play. Collectively, the contributors undertake a necessary historiographic intervention by reconsidering Western categorizations and exploring Chinese understandings of sexuality and erotic orientation.

Much has been written on World War I, but few books focus solely on America's involvement in the war as successfully as Robert H. Zieger. In America's Great War, Zieger concentrates his attention on five broad themes that affected Americans: Woodrow Wilson's role in shaping world order; America's familial connection to Europe; the complicated relationship between the wartime experience and the Progressive Era; race; and the emergence of the National Security State.

A social history of Jewish women in Imperial Germany, this study synthesizes German, women's, and Jewish history. The book explores the private--familial and religious--lives of the German-Jewish bourgeoisie and the public roles of Jewish women in the university, paid employment and social service. It analyzes the changing roles of Jewish women as members of an economically mobile, but socially spurned minority. The author emphasizes the crucial role women played in creating the Jewish middle class, as well as their dual role within the Jewish family and community as powerful agents of class formation and acculturation and determined upholders of tradition.

Family Connections examines the dimensions of daily survival strategies for newcomers in an uncertain urban environment. Focusing on the history of Italian and Jewish immigrant families in Providence, Rhode Island, the book assesses the links between familial and ethnic culture and broader allegiances of solidarity, and suggests some of the differences between male and female experience within a shared identity as a family. Contains four maps, 25 photos.

This is a book that for over forty years was carefully researched and footnoted by the principal author Ernest S. Sanchez. It is a story that is weaved together by multiple interviews with families and their familial history that makes this account and supported by documentation. This book brings into focus the following points: 1. History of the settlement of New Mexico from Onate to the present. . . 2. The principal families that were involved in the settlement and their experiences. . . 3. The New Mexican experience from the Hispanic view in the history of the settlement of Lincoln County and the Lincoln County War. . . 4. An insight on the personal relationship of the Hispanics with William H. Bonney (Billy the Kid). . .. 5. A very accurate reference in the genealogy of the families that settled in Lincoln County New Mexico. This story illuminates the rich customs and traditions of the people that make up New Mexico history. We get a view of the every day life experiences of the Nuevo Mexicanos, that were passed forward from generation to generation. This account also exposes the violence, greed and racism that not only permeated the Spanish settlement of New Mexico but also fueled the Lincoln County War. It is an American story, a story of the painful birth of a nation.

The history of one of the most admired (Bobby Kennedy) and one of the most reviled (J. Edgar Hoover) are entwined with that of Joseph Kennedy. This triumvirate was marked by conflict, betrayal and a strange Shakespearean familial bond. Set against the ongoing context of Joe Kennedy's behind-the-scenes manipulation of key players in Congress, organized crime, and his own family, major players are revealed such as Roy Cohn, Martin Luther King, Marilyn Monroe, Lyndon Johnson, and Richard Nixon.

When John McPhee returned to the island of his ancestors—Colonsay, twenty-five miles west of the Scottish mainland—a hundred and thirty-eight people were living there. About eighty of these, crofters and farmers, had familial histories of unbroken residence on the island for two or three hundred years; the rest, including the English laird who owned Colonsay, were “incomers.” Donald McNeill, the crofter of the title, was working out his existence in this last domain of the feudal system; the laird, the fourth Baron Strathcona, lived in Bath, appeared on Colonsay mainly in the summer, and accepted with nonchalance the fact that he was the least popular man on the island he owned. While comparing crofter and laird, McPhee gives readers a deep and rich portrait of the terrain, the history, the legends, and the people of this fragment of the Hebrides.

Unraveling all the mysteries of the khipu—the knotted string device used by the Inka to record both statistical data and narrative accounts of myths, histories, and genealogies—will require an understanding of how number values and relations may have been used to encode information on social, familial, and political relationships and structures. This is the problem Gary Urton tackles in his pathfinding study of the origin, meaning, and significance of numbers and the philosophical principles underlying the practice of arithmetic among Quechua-speaking peoples of the Andes.Based on fieldwork in communities around Sucre, in south-central Bolivia, Urton argues that the origin and meaning of numbers were and are conceived of by Quechua-speaking peoples in ways similar to their ideas about, and formulations of, gender, age, and social relations. He also demonstrates that their practice of arithmetic is based on a well-articulated body of philosophical principles and values that reflects a continuous attempt to maintain balance, harmony, and equilibrium in the material, social, and moral spheres of community life.

The history of the British Isles is the story of four peoples linked together by a process of state building that was as much about far-sighted planning and vision as coincidence, accident and failure. It is a history of revolts and reversal, familial bonds and enmity, the study of which does much to explain the underlying tension between the nations of modern day Britain.  The Making of the British Islesrecounts the development of the nations of England, Scotland, Wales and Ireland from the time of the Anglo-French dual monarchy under Henry VI through the Wars of the Roses, the Reformation crisis, the reigns of Henry VIII and Elizabeth I, the Anglo-Scottish dynastic union, the British multiple monarchy and the Cromwellian Republic, ending with the acts of British Union and the Restoration of the Monarchy. 

Romances of the Republic contributes to the lively field of scholarship on the interconnection of ideology and history in early American literature. Shirley Samuels illustrates the relations of sexual, political, and familial rhetoric in American writing from 1790 to the 1850s. With special focus on depictions of the American Revolution and on the use of the family as a model and instrument of political forces, she examines how the historical novel formalizes the more extravagant features of the gothic novel--incest, murder, the horror of family--while incorporating a sentimental vision of the family. Samuels's analysis deals with writers like Charles Brockden Brown, Catherine Sedgwick, James Fenimore Cooper, and Mason Weems, and argues that their novels formulated a family structure that, unlike earlier models, was neither patriarchal nor a revolt against patriarchy. In emphasizing sibling rivalry and inter-generational quarrels about marriage, the novel of this period attempted to unite disparate political, national, class, and even racial positions.

When John McPhee returned to the island of his ancestors?Colonsay, twenty-five miles west of the Scottish mainland?a hundred and thirty-eight people were living there. About eighty of these, crofters and farmers, had familial histories of unbroken residence on the island for two or three hundred years; the rest, including the English laird who owned Colonsay, were ?incomers.? Donald McNeill, the crofter of the title, was working out his existence in this last domain of the feudal system; the laird, the fourth Baron Strathcona, lived in Bath, appeared on Colonsay mainly in the summer, and accepted with nonchalance the fact that he was the least popular man on the island he owned. While comparing crofter and laird, McPhee gives readers a deep and rich portrait of the terrain, the history, the legends, and the people of this fragment of the Hebrides.

The history of the family has become an area of great interest, yet the property arrangements entered into upon marriage, a crucial aspect of the process of familial wealth transmission and distribution in the landed classes in early modern England, have never been systematically studied. In the light of evidence provided by hitherto unused family muniments, Dr Bonfield analyses the legal, social and economic aspects of these settlements, and discusses the development and impact of the strict settlement.

An anthology designed to address what is perceived as a gap between existing US legislation on familial issues and family lives as they are really lived. The selection deals with a wide range of American families, and incorporates law, sociology, history, psychology, economics and fiction.

The histories of the British and Russian royal families have been entwined for centuries. In the first publication to examine the relationship between Britain and Russia using artworks drawn exclusively from the Royal Collection, Russia: Art, Royalty and the Romanovs interweaves the familial, political, diplomatic, and artistic stories of these two nations   over more than four hundred years. From initial contacts in the mid-sixteenth century, through alliances, marriages, and two World Wars, up to the current reign, this richly illustrated book gives readers a glimpse into the public and personal dealings of these two fascinating dynasties. With new research on previously unpublished works, including Imperial porcelain, arms, costume, insignia, and photographs, together with paintings by both Russian artists and British artists working in Russia, this will be the first time that the uniquely interlinked narrative of the art connecting the two royal families has been presented in such stunning, lavishly illustrated detail.

This is the first publication of the long version of Thomas Wolfe's story of familial and national reflection set during the First World War. It offers a portrait of the author's dying father, as well as a meditation on American history and ambitions on the verge of US entry into a broadening global conflict.